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Shawn Hansen, 2018 Marcus Lewis, 2018 Amado Espinoza, 2017 Cat Mahari, 2017 Eddie Moore, 2016 J. Ashley Miller, 2016 Jeff Harshbarger, 2015 Hunter Long, 2015 ... Shawn Bitters, 2016 Madeline Gallucci, 2016 Rodolfo Marron III, 2016 Jill Downen, 2015 Rashawn Griffin, 2015 Misha Kligman, 2015 Amy Kligman, 2014 Garry Noland, 2014Shawn Bitters Studio Page. 246 likes. This is the official Facebook page for the artist Shawn Bitters. For more visit www.shawnbitters.com Start typing and press Enter to searchPainting & Drawing Classroom. Drawing inspiration from works in Humanities, Vol. 1, participants will learn about abstract art fundamentals like shape, line, and color, and have the chance to make their own artwork using oil pastels. Registration is required. $30 workshop fee includes materials. Ages 15+.

Shawn Hansen, 2018 Marcus Lewis, 2018 Amado Espinoza, 2017 Cat Mahari, 2017 Eddie Moore, 2016 J. Ashley Miller, 2016 Jeff Harshbarger, 2015 Hunter Long, 2015 ... Shawn Bitters, 2016 Madeline Gallucci, 2016 Rodolfo Marron III, 2016 Jill Downen, 2015 Rashawn Griffin, 2015 Misha Kligman, 2015 Amy Kligman, 2014 Garry Noland, 2014An outdoor installation composed of 23 printed "stones" from Kansas City-based artist Shawn Bitters that, when decoded, reveal a narrative of the landscape. This installation, on the grounds of the Museum and Phelps Grove Park, is a collaboration between the Museum and the Springfield-Greene County Park Board. On view through July 2020 as a long-term loan courtesy of the artist.An outdoor installation composed of 23 printed "stones" from Kansas City-based artist Shawn Bitters that, when decoded, reveal a narrative of the landscape. This installation, on the grounds of the Museum and Phelps Grove Park, is a collaboration between the Museum and the Springfield-Greene County Park Board. On view through July 2020 as a long-term loan courtesy of the artist.Shawn Hansen, 2018 Marcus Lewis, 2018 Amado Espinoza, 2017 Cat Mahari, 2017 Eddie Moore, 2016 J. Ashley Miller, 2016 Jeff Harshbarger, 2015 Hunter Long, 2015 ... Shawn Bitters, 2016 Madeline Gallucci, 2016 Rodolfo Marron III, 2016 Jill Downen, 2015 Rashawn Griffin, 2015 Misha Kligman, 2015 Amy Kligman, 2014 Garry Noland, 2014

Shawn Bitter's MMA Handicapper's Pick History. Your $ bet per unit is set at $10. You can edit that value in your settings.American Sublime > Unrequited. Unrequited. Screen print on Archival Inkjet Print. ….

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Works selected by guest curator Kate Hackman, former artistic director for the foundation, include drawings, paintings, sculpture, textiles, writing, installations and video art by artists Shawn Bitters, Marcus Cain, David Ford, Madeline Gallucci, Archie Scott Gobber, Jane Gotch with Elizabeth Stehling, Anne Lindberg, Adolfo Martinez, Marcie ...Shawn Bitters, 2016 Madeline Gallucci, 2016 Rodolfo Marron III, 2016 Jill Downen, 2015 Rashawn Griffin, 2015 Misha Kligman, 2015 Amy Kligman, 2014 Garry Noland, 2014 Sean Starowitz, 2014 Mike Erickson, 2013 Erika Lynne Hanson, 2013 Paul Anthony Smith, 2013 Marcus Cain, 2012 Anne Austin Pearce, 2012Shawn Bitters, 2016 Madeline Gallucci, 2016 Rodolfo Marron III, 2016 Jill Downen, 2015 Rashawn Griffin, 2015 Misha Kligman, 2015 Amy Kligman, 2014 Garry Noland, 2014 Sean Starowitz, 2014 Mike Erickson, 2013 Erika Lynne Hanson, 2013 Paul Anthony Smith, 2013 Marcus Cain, 2012 Anne Austin Pearce, 2012

Shawn Bitters, 2016 Madeline Gallucci, 2016 Rodolfo Marron III, 2016 Jill Downen, 2015 Rashawn Griffin, 2015 Misha Kligman, 2015 Amy Kligman, 2014 Garry Noland, 2014 Sean Starowitz, 2014 Mike Erickson, 2013 Erika Lynne Hanson, 2013 Paul Anthony Smith, 2013 Marcus Cain, 2012 Anne Austin Pearce, 2012Karla Hackenmiller. Published May 30, 2013 at 950 × 1279 in Karla Hackenmiller: The Jacqueline L. Zemel Prize for Printmaking. Next Image →. Liminal Tauk, 2012. Etching. 12" x 9″.Shawn Bitters' work focuses largely on a fascination with the geological--rock faces and formations and their potential as art objects within their serendipitous environment.Bitters explores his fascination with these stones through many different mediums and uses printmaking and drawing to map out early stages of what will become full-blown installations in many cases.

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